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We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
We’ve collaborated again with David Dodde of House Industries to bring some early Heath tile artwork to a new medium. Edith Heath and her niece Winnie Crittenden—who is now our Master Glazer—spun standard 12×12 tiles on the glaze wheel (a technique typically reserved for glazing dinnerware pieces, not tile) to create these unique patterns and…
The hostile reality of living in the desert—unrelenting sun, heat, sparse vegetation, sharp cacti—is offset by the beauty and awakening of the senses that comes with life in the Sonoran Desert. The scents in this series embrace the rich and diverse experiences from the rocky barren landscapes of the canyons, to the lush and colorful…
The hostile reality of living in the desert—unrelenting sun, heat, sparse vegetation, sharp cacti—is offset by the beauty and awakening of the senses that comes with life in the Sonoran Desert. The scents in this series embrace the rich and diverse experiences from the rocky barren landscapes of the canyons, to the lush and colorful…
Burning incense can be akin to creating a view or a place, as in the landscapes represented by the dry gardens of Japan. The scents in this series were inspired by some key components of the garden- stone, moss, blossoms. Natural Poetry features scents of precious kyara, graceful oud, and traditional Kyoto.
Rinne Allen’s light drawings capture the flora of her garden as it changes throughout the year. To create her drawings a light sensitive emulsion is painted onto paper in the dark. Then she places different objects on the paper and places them in the sun. The interaction of sunlight, object, and emulsion captures the object’s…
Each craftswoman takes liberties to augment the traditional design with idiosyncratic color choices as they embroider the pillows by hand over several weeks. The results are unique pillows that reflect the personality of the hands that made them. Plain, dyed linen is sewn on the opposite side and includes a feather/down insert.
Hand-knotted from pure wool and trimmed into a ribbed pile, this Malawi rug makes a gentle landing pad for bare feet. Lavishly soft, it is framed by a tasselled fringe that enlivens any room when styled as an accent piece.
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